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*** NEW ***
Here are a few tunes we recorded
in
a studio in Kalamazoo around that time (1977). It's evident that we didn't have as much studio time with these as we'd have liked, but it's good stuff nevertheless: Cattle in the Corn, a fiddle tune. Big River, the Johnny Cash hit. A Western Swing instrumental number. I really like this one and wish I knew the name of it. Pretty Please, a song I wrote but am not particularly proud of. Nice playing though. Walking the Floor Over You, nicely done by J.B. Even now you can tell that Junior learned a lot about singing and stage presence from Ernest Tubb. Every Fool Has a Rainbow. Billy always did a wonderful job with this Merle Haggard number, and it's obvious that he really likes the song. Ragtime Annie, a fiddle tune we did a lot. |
Billy Spears Band, 1977.
I believe this picture was taken in a bar on Central Avenue, Route 66, in Albuquerque, but I can't be sure. Tight quarters for sure. Patsy Miller made that shirt for me, and I still have it, but it hasn't fit me for a long time... |
Billy. It's what he
did. A motel parking lot in Breckenridge.
|
How can I
roll when the wheels won't go?
|
Gotta get to the gig!
|
Billy in his hole, ready for a long ride. |
***
NEW - LIVE RECORDINGS ***
One of the cassette tapes I
borrowed from Carol
this year (2008) contains the only live
performance I can find with J.B.
I don't know where it was recorded, or when, but
it was the
last set; I know that because there was an
encore.
The crowd - and the band - obviously had a good time. You can hear our shouts and comments to each other, as well as the audience's. It was during a time when I played only upright bass, and although you can't hear the bass very well, you can infer it; our rhythm section clearly had a tight, swinging, organic feel to it. I like it very much. Enjoy! Fragment of a bluegrass banjo tune Why Not Confess? - we got this one from The Maddox Brothers and Rose, and it was one of our bluegrass staples. Your Name Still Lingers (on my Lips Tonight) - this phrase was uttered by Jimmy a few times after amorous adventures, and I liked the phrase so much that I wrote a song using it as a title. The better version was recorded in Mountain Ears Studio (below). I Can't Stand Me Bring It on Down to My House - A standard of several different genres, we treated it well. Billy in the Lowground Everyday I Have the Blues Phantom 309 - this is a "talking tearjerker" song, a hit by Red Sovine. Junior really nailed it. Listen! Truck Driving Man Lonesome Fugitive Big Joe (fiddle tune) Whisky River - a la Johnny Bush No Money Down Sittin' and Thinkin' - originally by Charlie Rich, I think. We got a great Texas shuffle going on this. Medley: San Antonio Rose and Deep in the Heart of Texas. Shoot low, sheriff, she's riding a Shetland! AA-HAA! Orange Blossom Special - of course. Encore: Roly Poly and a short fiddle tune |
Garton's
Saloon, Vail, Colorado. We played here several times, as well as other Vail venues "The Nu Gnu" and the Hilton Inn. One night while we were there, Susan Ford, the President's daughter, came in with friends and Secret Service agents. She was nice, and good looking too. Billy bummed a cigarette - or tried - from her. Our Conn Strobotuner is on top of Billy's amp. It's what we had back then! Junior is playing a dobro here in one picture. I honestly don't remember his having one or playing one, but I'm sure he did it justice. When we did our bluegrass sets at the beginning of each full set, he generally played pedal steel. |
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